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Patrick Allington reviews HEAT 22: The Persistent Rabbit edited by Ivor Indyk
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As with most issues of HEAT, The Persistent Rabbit is consistently excellent. Still, there are degrees of excellence. Compare the essay by Barry Hill with those by Chris Andrews and Stuart Cooke. Hill’s discussion of Ezra Pound’s Orientalism is proof (which these days we need) that scholarly rigour need not be obscure and, conversely, that accessibility doesn’t equal dumbing down. Plus, Hill writes majestically and, when appropriate, with sardonic wit or bluntness. Andrews and Cooke have both written fascinating, commendable essays, Andrews on the Argentinean novelist César Aira, and Cooke on two Mapuche (indigenous Chilean) poets, Leonel Lienlaf and Paulo Huirimilla. But in contrast to Hill’s essay, their pieces are less alive, less complete, less exhilarating.   In this issue, the fiction resonates more powerfully than the poetry (although the poetry is uniformly solid, the best of it potent and playful). Michelle Moo’s ‘New Gold Mountain’ is a taut satire of colliding voices set in a colonial goldfield, Mireille Juchau offers a beautifully observed story about a girl and her family, and Julia Sutton delivers a sharply funny tale about an artist who is, or isn’t, being threatened by a terrorist. Best of all is Barbara Brooks’s poignant ‘fictional memoir’ about the narrator’s grandfather, a veteran of colonial India lost in his memories. 

Book 1 Title: HEAT 22
Book 1 Subtitle: The Persistent Rabbit
Book Author: Ivor Indyk
Book 1 Biblio: Giramondo, $26.95 pb, 224 pp
Book 1 Author Type: Editor
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Two personal essays cut deep. Brendan Ryan offers a harrowing account of Ash Wednesday 1983, and concludes with a thoughtful interrogation of memory and the fire’s legacy. Lee Kofman probes her shifting attitude to her physical scars after a life lived in Russia, Israel and Australia.

Reading HEAT requires serious concentration – I failed miserably to get through it at bedtime – but this issue is also seriously entertaining. Refreshingly free of the hurly-burly of current affairs, it nonetheless possesses a compelling urgency.

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